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REUTERS/Philippe Wojazer 1/3 left right French police secure the area next to the Saint-Leu church during a security operation on Saturday in a
shopping district of Paris, France, September 17, 2016. REUTERS/Philippe Wojazer 2/3 left right French police secure the area next to the Saint-Leu church during a security operation on Saturday in a shopping district of Paris, France, September 17, 2016. REUTERS/Philippe Wojazer 3/3 PARIS Parts of central Paris were cordoned off on Saturday after a false alarm triggered a major security operation, French police said. French government security alert app - SAIP - warned citizens that a police operation was under way in Saint-Leu church in the busy shopping district of Chatelet and advised people to stay away. Interior minister, Bernard Cazeneuve, issued a statement confirming the false alarm and said that "the circumstances around the intervention" had yet to be determined. More than one hundred police officers, including elite units, carried out the operation and the area was reopened to traffic after it became evident that there was no danger, a Reuters witness said. Security forces had responded to a call that claimed hostages had been taken in Saint-Leu church, interior ministry spokesman Pierre-Henry Brandet told BFM TV. "As the operation took place, the church's priest came out as well as a number of people and the BRI (emergency intervention and search service) made sure there was nobody, that there was no assailant," he said. France is on high alert for security threats after a series of attacks by Islamist militants that have killed more than 230 people since January 2015. (Reporting by Astrid Wendlandt and Julien Pretot; Editing by Louise Ireland) Next In World News
Many of his works had similar things in common: domestic rancor inflamed by booze, a sense of unknown anxiety, a lost child who creates a marital friction and precise but flailing language that alternates between comic and profound. In interviews, Albee recoiled at the idea of drawing parallels between his works or between his cynical outlook and his unhappy childhood. "Each play of mine has a distinctive story to tell," he told The Santa Fe New Mexican in 2001. Albee was born in 1928 and was adopted by a wealthy suburban New York couple. His father, Reed Albee, ran the Keith-Albee chain of vaudeville theaters; his mother, Frances Albee, was a socialite and a commanding presence who kept a hold on him for much of his life. Estranged from his parents, Albee moved to New York and worked as a messenger for Western Union before gaining notice with "The Zoo Story," a one-act play written in 1958 about two strangers meeting on a bench in Central Park. With "Who's Afraid of Virginia Woolf?" and 1964's "Tiny Alice," Albee shook up a Broadway that had been dominated by Tennessee Williams, Miller and their intellectual disciples. "Who's Afraid of Virginia Woolf?" presents an all-night drinking bout in which a middle-age professor and his wife verbally spar and unravel their illusions during a visit by a younger couple. It won five Tonys including best play, actor (Arthur Hill) and actress (Uta Hagen), and the film version won five Oscars including best actress (Taylor) and supporting actress (Sandy Dennis).
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